Violence in games as art

Quentin Tarantino, a well-known esthete of violence, once said that it (violence) is only a cinematic technique. In fact, the same thing with video games. It is one thing to articular crafts with liters of blood and dissected, of which thousands. But those projects of the gaming industry in which the developers manage to create real poetry from violence – a crazy mixture of cruelty, precisely verified style and sadism on the verge of beauty, a few units, but each of them, if you played it, remains in memory for many years. Today we will just talk about such piece projects with real aesthetics of violence. Not every player can appreciate them: someone will scare away their cruelty, someone-the specificity of the genre, someone-outdated graphics, but if you did not play these games and are looking for new impressions-you definitely opened the right article. I’ll say right away that this is by no means a top, each game takes its place and they cannot be compared with each other. So, let’s start our journey through such an attractive world of violence.

Condemned: Criminal Origins

Dark gateways, miserable slums in www.mr-jones-casino.org.uk/ which drug addicts live, serial murders: a wave of crime jumping to the limit is overwhelming the city with terrible darkness, the police simply cannot physically cope with this, and in the meantime, the number of cruel killings, rape and robberies is growing exponentially … in contemned: CRIMINAL Origins The main manifestation of violence are fights in close combat using improvised objects, which form the basis of the game gameplay. Each blow with a metal pipe on the face of some kind of flying off the coils or a dangled bandit is accompanied to a terrible deaf sound of the blow, in conjunction with the transformation of the opponent’s face into a bloody mess with knocked out teeth, a crushed nose and a gaping blood pierced skull. Sometimes the player is given the opportunity to finish: squeeze the eyes of the victim with his fingers, score to death with a knee, etc.D. Moreover, the animation of all this is far to the ideal by modern standards (the game was released in 2006). However, it scares and shocks not how it looks, but who is played: in all these fights, primitive anger and cruelty are felt. And hallucinations, which are not uncommon for the protagonist, add to all the above a sense of despair and fear. Plus, a rather original plot about the serial killer of serial killers attracts with its mystery and keeps in tension until the interchangs.

If Condemned: Criminal Origins gameplay is fierce and rapid, then Manhunt is a more thoughtful game, as genre belongs to the category of Stealth-Action. It should be noted right away that the stealth in the game is quite primitive and simple (nearest analogues – Splinter Cell Conviction Or recent Dishonored), however, the fascination of the gameplay is achieved by a huge variety of ways of murders, starting with the trivial “shoot” and “cut with a knife”, ending with exotic and insanely sadistic options, such as the opportunity to cut off his head, wrapping his neck with barbed wire, or gut his insides with a sickle. Thanks to this number of opportunities, you begin to enjoy the murder of every enemy. You smoothly sneak up to an armed killer, clutching a plastic bag in your hand, throw it over the enemy’s head and deliberately observe the beautiful animation of a painful suffocation. By the way, with the plot and atmosphere here is no worse than with gameplay. In short, the main character wakes up in a city filled with a variety of types of human garbage (skinheads, ready to score the main character with baseball bats, some kind of military with firearms, fanatical fanaticals, psychopaths, dressed in smearing masks and women’s dresses, lustling in the city hands). But the fact is that in this city “rented” the obsessed director-psychopath, in order to remove some terrible combination of the reality show and a snuff-video with real killings and our hero in the title role. A landfill, an abandoned prison, empty city quarters, a constant night and the stylization of each murder under the video (when our hero gives out his eyes with a fragment of glass, the camera at that moment demonstrates what is happening from different angles as if we were looking at the camcorders located throughout the city)-all this is folded into a roofing cocktail whose taste is impossible to confuse with nothing of others.

Hotline Miami

And finally the program of the program. Unique phenomenon in the world of video game violence. A game that, in the absence of aversion to a retro-pixel graphic style and the presence of a certain share of imagination and imagination in the player, makes his way to the bones, causing goosebumps throughout the skin. As I wrote above: Condemned is primitive cruelty, these are brutal fights with horse doses of adrenaline. Manhunt is a kind of maniac simulator, cruel and smart, methodical and resourceful, with frightening naturalism scenes of murders. But Hotline Miami is an irrational and incredibly driving ode to violence. It’s hard to describe the feeling when you enter the room with three bandits with a knife in your hand and begin to fiercely kill them to energetic electronic music. You seem to feel the game. As if under every sound of the soundtrack, you apply one cut wound. But the game is especially shocking if you look at what is happening as a whole: the murders committed by the player are not explained until the final. Here, a popular comparison of the game with acid trip is really appropriate-everything is so illogical and strange that you begin to perceive brutal killings and hallucinations as something natural and enjoy what is happening. The game seems to discard such trifles as motivation, showing us pure violence, violence on the verge of art, violence for no causes and consequences, without purpose and meaning. And believe me, there was nothing like it in the game industry to Hotline Miami.